The famous photographer Marianne Breslauer was born on this day in 1909. Today, Marianne is most well-known for her contributions to the artistic richness of Germany’s Wiemar Era as well as her relationship with the Swiss journalist and photographer Annemarie Schwarzenbach.
A self-portrait by Marianne Breslauer (x).
Marianne Breslauer was born on November 20, 1909 in Berlin, Germany. She inherited an artistic legacy from her parents, her father being the architect Alfred Breslauer and her mother being Doris Lessing, the daughter of the famed art historian Julius Lessing. She began taking photography lessons at age 18 and began to plan for a career as a photographic journalist. Her main inspirations were the well-known German portrait photographer Frieda Riess and the Hungarian photographer André Kertész. Although she had lived and studied in Berlin for all her life, Marianne moved to Paris in 1929 to study under Man Ray. She only stayed briefly, however, and was back in Berlin a year later. Throughout the 1930s, her work was published in esteemed German magazines such as Frankfurter Illustrierten, Der Querschnitt, Die Dame, Zürcher Illustrierten, and Das Magazin.
Despite being married to a man named Walter Feilchenfeldt, the center of Marianne’s life was a fellow woman photographer named Annemarie Schwarzenbach. Many historians refer to the two women as simple being “lifelong friends,” but the truth of their relationship was probably something closer to that of lovers. Marianne traveled extensively throughout Europe during her life and created a network of kindred spirits, which is to say, fellow wlw artists. She even became known for her photographs of butch women/”tom boys” throughout the 1930s. It was through one of these lesbian artist friends, Ruth Landshoff, that Marianne and Annemarie were first introduced. The two photographed each other frequently and even traveled to the Pyrenees together in 1933. Annemarie would tragically die in a biking accident in 1942, but Marianne’s legacy would continue to be intertwined with the person she once described as “Neither a woman nor a man, but an angel, an archangel.”
One of Marianne’s multiple photographs of Annemarie Schwarzenbach. In this shot from 1934, Annemarie (left) lies on beach towels with a friend in Potsdam (x).
With the increasing antisemitic climate of Germany in the 1930s and 1940s, Marianne’s publishers began pressuring her to publish her photographs under a pseudonym so as to conceal her Jewish identity. When she refused, she, her husband, and children were forced to leave German and emigrate to Amsterdam and then later Zurich. In her later years, Marianne and her husband opened up their own art gallery specializing in French paintings and 19th century art. She took over the business on the occasion of her husband’s death in 1953 and would eventually pass away herself on February 7, 2001.