SEPTEMBER 20: Mädchen in Uniform is released (…


On this day in 1931, the film Mädchen in Uniform (Girls in Uniform)
was released in the United States. Directed by the out lesbian director
Leontine Sagan, Mädchen in Uniform is
an lesbian cult classic.

An original poster for the film as it was displayed in 1931 shows Manuela (center)  gazing longingly at her teacher,

Fräulein von Bernburg (left) (x). 

The film follows a 14-year-old girl named Manuela
von Meinhardis, whose mother and father have both died and whose aunt has stuffed her away in an all-girls boarding school. The conditions at the
school are brutal and the headmistress forbids any kindness or leisure be allowed to the students. Manuela’s only brightness in life is Fräulein von Bernburg, the only compassionate teacher at the school. One day when Manuela arrives to
class in old, torn clothes, von Bernburg pulls her aside  and offers
to let her borrow some of her own clothes. In a narrative turn that changed the history of film, Manuela bursts into tears and admits
that she is in love with her, to which von Bernburg replies that they can never
be. The rest of the film follows Manuela as she deals with the secrecy of her
love for von Bernburg coupled with her classmates’ secret plot to report their
headmistress’s brutal behavior to the authorities.

Mädchen in Uniform’s love plot between two women is not told
through code or subtext, but is an essential part of the film’s story, and for
this reason the film has often been dubbed the very first lesbian movie of the
western world. Berlin, Germany of the 1930s was thriving with an LGBT nightclub
scene, where the film made a huge splash. Although it was almost banned in the
United States for a goodnight kissing scene between the two protagonists, First
Lady Eleanor Roosevelt’s highly positive review of the film was able to turn the
public opinion (#lesbiansolidarity). Later on when the Nazis began to rise to
power, instead of destroying the film as they did to many LGBT-themed
works of art, the ending of the film was rather altered to seem like a pro-Nazi
production. In 1958,when  the film was re-made under the same title, the plot followed the
ending of the original 1931 production.


SEPTEMBER 19: Tegan and Sara (1980-)


Happy birthday to Tegan and Sara!!
The twin sisters that make up every lesbian’s favorite indie band turn
37-years-old today!

The duo’s latest album, Love You To Death, was released in 2016 (x).

Tegan and Sara Quinn were born on
September 19, 1980 in Calgary, Alberta, Canada. They were both musically inclined
from an early age and began playing guitar at the age of 15. While still in
high school, they formed a band called Plunk and recorded two demo albums using
their school’s recording studio. They won the 1998 Garage Wars competition and
used the reward of studio time to record their first album under the name Sara
and Tegan, which was later changed to the catchier Tegan and Sara. To date, the
sisters have released 3 full length albums and multiple EPs.

Both Tegan and Sara are out
lesbians and have been heavily involved with various LGBT organizations and
rights campaigns throughout the years. In 2013, they won the award for Outstanding
Music Artist at the GLAAD Media Awards and performed at the Toronto Pride festival
a year later. More recently, the two have spoken out against North Carolina’s
HB2, the transgender bathroom bill, and performed at The Orange Peel concert
where proceeds were donated to the Equality North Carolina organization. In
December of 2016, the Tegan and Sara Foundation was created in order to fight
for “economic justice, health and representation for LGBTQ girls and women.”






baawri: Parched (2015)


Parched (2015)

bisexualmindylahiri: “I fell in love with a wo…


“I fell in love with a woman.”

“I fell in love with a woman, too.”



SEPTEMBER 18: Greta Garbo (1905-1990)


One of the most iconic actresses
of the 20th century, Greta Garbo, was born on this day in 1905.
Despite her image in the American imagination as the eternally heterosexual
romantic lead and starlet, Greta lived a lonely, closeted life.

Greta Garbo first traveled to the United States at the age of 19 and not two years later she would be one of the most well-known actresses in the country (x).

Greta Lovisa Gustafsson was born
in the slum of Södermalm in Stockholm, Sweden on September 18, 1905. She was
the third and the youngest child born to a working class family – her mother
worked at a jam factory and her father was a janitor. Poverty haunted her
childhood and she is remembered as having been a shy, daydreaming child who was
interested in theater and performance from an early age; a former classmate remembered
a 10-year-old Greta declaring that she wanted to be an actress when she grew up
“because it’s posh.” After leaving school at the age of 13, she began working
as a cleaner girl in a barber shop, but eventually took a job at the PUB
Department Story. It was there where Greta was picked out for her beauty and
chosen to model women’s hats. Modeling gigs turned into commercial gigs, which
eventually lead her to starring in short films.

In 1922, the director Erik Arthur
Petschler spotted one of Greta’s commercials and invited her to star in his
small comedy film Peter the Tramp.
Seeing a real future in acting, she studied at the Royal Dramatic Theatre’s
Acting School for two years before getting shipped off to America on the request of
MGM Vice President Louis B. Mayer. After the studio forced her to straighten
her teeth, lose 30 pounds, and lean English, Greta became a superstar and
starred in over 20 silent films. In 1929, she became one of the few stars who
was able to make the jump over to “talkies” with the film Anna Christie. Over the next decade, she would star in hits such as
Grand Hotel, Camille, and Anna Karenina
and would receive three Oscar nominations.

Video footage of Greta arriving at Gothenburg Harbor in 1935 overplayed with words from one of her loves, Mercedes de Acosta

Closely associated with the line
from Grand Hotel, “I want to be alone; I just want to be alone,” Greta hated
publicity and was a recluse later in life. Many historians have theorized that Greta’s social
anxiety and depression were results of her lesbianism and the pressure placed
on her to hide that part of her life from the world. Actresses Lilyan Tashman,
Mercedes de Acosta, and Louise Brooks have all admitted to having sexual
relationships with Greta, but if she had an ultimate love it had to have been
Mimi Pollack. Mimi was a Swedish actress who Greta met during her time at
the Royal Dramatic Theater and the two maintained a close correspondence for
the rest of their lives. The romantic tone of their letters is undeniable;
Greta writes:

 “’The letter from you has aroused a storm of longing within me,” “’I
dream of seeing you and discovering whether you still care as much about your
old bachelor. I love you, little Mimosa,” “’We cannot help our nature, as God
has created it. But I have always thought you and I belonged together.” 

Mimi’s son was born, Greta even wrote that she was “incredibly proud to be a

Greta’s relationship with Mimi
would not become known to the mainstream public until 2005 with the publication of the
Swedish book Djävla Älskade Unge by Tin Andersen Axell. At the time of Greta’s
death on April 14, 1990, it would be over ten years before the
public who claimed to adore her would know a sliver of who the actress truly




cuddling in bed and falling asleep together is probably one of the best feelings in a relationship.

SEPTEMBER 17: Edmonia Lewis (1844-1907)


On this day in 1907, the very
first black Native-American woman to break into the world of the fine arts
passed away. Edmonia Lewis was a sculptor and an artist who reached
international fame and mastered the Neoclassical style.

Edmonia surprised many of her colleagues by refusing to take on assistants and completing all of the physically demanding acts of sculpting herself, despite being only four feet tall (x).

Mary Edmonia Lewis was born on
July 4, 1844 in the town of Greenbush, New York. Her father was Afro-Haitian
and her mother was of Mississauga Ojibwe and African-American descent. Together, the family made up part of the small population of freed black families living in America at that time. Her mother was known to be an excellent weaver and artist
in her own right, while her father worked as a servant. Sadly, both of Edmonia’s
parents had passed away by the time she was 9-years-old and both she and her
half-brother went to live with their aunts near Niagara Falls. She eventually enrolled
at New-York Central College, McGrawville in 1856, but left after three years
and ended up studying art at Oberlin College.

After college, Edmonia moved to
Boston and decided to specialize in sculpting after being struck by the beauty of a public statue of Benjamin Franklin. Finding a mentor was difficult at first
because many of the premier sculptors in Boston were not welcoming to a black Native-American
woman entering their field, but once Edward Augustus Brackett agreed to take
Edmonia on as an apprentice, she began working for some of the most famous
abolitionist of the day, such as William Lloyd Garrison and Charles Sumner. In
1866, she made the move to Rome, Italy and opened up her own studio. It was in
Rome where Edmonia’s career was able to flourish; by 1873, she was being paid
up to $50,000 for commissions and was even invited to present at the 1876 Centennial
Exposition in Philadelphia.

Death of Cleopatra, which Edmonia presented at the 1876 Centennial Exposition, caught both the public’s eye and their attention; while Cleopatra had been the subject of many other (white male) sculptors’ works, it was shocking to see a black woman take on the task of depicting one of the most famous black women in history (x).

In Rome, Edmonia was a member of a
circle of fellow expatriate artists, more specifically, of Charlotte Cushman’s
circle of women artists. The majority of the women in Edmonia’s circle were
lesbians, with Charlotte and her partner Emma Stebbins as the head of the pack,
and for this reason, most historians have concluded that Edmonia herself must
have been a woman who loved other women. Her proclivity for “men’s clothing” and
dressing against 19th century gender mores is just further proof that
Edmonia was most likely involved in a LGBT culture of some form or another.
Tragically, after finding a lump in her breast, Edmonia was forced to leave her
friends and what little hub of community she had found in Rome and move to England for medical treatment. She passed away from
Bright’s disease September 17, 1907 and was buried at St. Mary’s Roman Catholic
Cemetery in London.